Post by David Niall Wilson on Aug 6, 2010 13:46:58 GMT -6
Just to put some of this in perspective....because sometimes I feel as if people get the wrong impression of the amount of work behind digital books ... I thought I'd mention what's in progress now.
Currently we have three or four more of Chet Williamson's novels that have been scanned from hardcover and paperback, a trilogy by Billie-Sue Mosiman, plus her thriller WIDOW, several more books from Sidney Williams, The Holy Terror by Wayne Allen Sallee - Several by Beth Massie, and a few new authors I haven't mentioned. We are reconstructing very literally ALL of Jeff Osier's short fiction...and there is a lot more to it than just scanning.
First I strip all formatting from the scanned pages and send them in groups of files to David Dodd, my associate editor. He has a system for taking the scans (odd and even pages in separate files) and reconstructing the book. Once this is done, he first scans for common errors, like hyphens at the ends of lines that are no longer at the ends of lines, and garbled letters. Then we do a quick spell-check. THEN we copy-edit. Once he's done with that he sends it back to me. I do the basic formatting and give it another go-through for errors.
Since we have several vendors, all requiring different file types and other details, I end up with several copies of the final .doc file. I use a program to convert this to e-BOOK format, and then I re-open the HTML output from this in Dreamweaver to fix formatting glitches. Once this is done, we use CALIBRE to convert the output to the various formats we require (except ADOBE which I do by hand). This is good for all but Overdrive.com - our library distributor. For them I have to create a PRC file (mobipocket) with DRM (Digital Rights Management) applied to work with the library systems. I also have to run the e-PUB files through a check program, re-open them in yet another program, and edit out several common errors so that it will get through their system.
Once this is done, the files are put live at Crossroad Press - and from there I begin distributing them to the Horror Mall, Amazon, Smashwords, Overdrive, The Horror and Fantasy Drive-Thru sites (and some others we're working with now).
And that's just the e-books. Soon I'll give some insight on the audiobook process. I bet ol' Gotham Knight will chime in here too..
Just letting you know a lot of work went into something you often get for as little as .99 or $2.99...we are earning it!
DNW
Currently we have three or four more of Chet Williamson's novels that have been scanned from hardcover and paperback, a trilogy by Billie-Sue Mosiman, plus her thriller WIDOW, several more books from Sidney Williams, The Holy Terror by Wayne Allen Sallee - Several by Beth Massie, and a few new authors I haven't mentioned. We are reconstructing very literally ALL of Jeff Osier's short fiction...and there is a lot more to it than just scanning.
First I strip all formatting from the scanned pages and send them in groups of files to David Dodd, my associate editor. He has a system for taking the scans (odd and even pages in separate files) and reconstructing the book. Once this is done, he first scans for common errors, like hyphens at the ends of lines that are no longer at the ends of lines, and garbled letters. Then we do a quick spell-check. THEN we copy-edit. Once he's done with that he sends it back to me. I do the basic formatting and give it another go-through for errors.
Since we have several vendors, all requiring different file types and other details, I end up with several copies of the final .doc file. I use a program to convert this to e-BOOK format, and then I re-open the HTML output from this in Dreamweaver to fix formatting glitches. Once this is done, we use CALIBRE to convert the output to the various formats we require (except ADOBE which I do by hand). This is good for all but Overdrive.com - our library distributor. For them I have to create a PRC file (mobipocket) with DRM (Digital Rights Management) applied to work with the library systems. I also have to run the e-PUB files through a check program, re-open them in yet another program, and edit out several common errors so that it will get through their system.
Once this is done, the files are put live at Crossroad Press - and from there I begin distributing them to the Horror Mall, Amazon, Smashwords, Overdrive, The Horror and Fantasy Drive-Thru sites (and some others we're working with now).
And that's just the e-books. Soon I'll give some insight on the audiobook process. I bet ol' Gotham Knight will chime in here too..
Just letting you know a lot of work went into something you often get for as little as .99 or $2.99...we are earning it!
DNW